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DVD Warehouse : VHS : Used Videos & More
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Walt Disney Video
There are two types of Schoolhouse Rock fans. Type A: those who--inspired in the '70s and '80s by "Conjunction Junction" and "Interjections!"--went on to become grammar gurus, copyeditors, and computational linguists. And type B: those who--less inspired by grammar than by catchy refrains--can still sing lines that today sound less than P.C.:Though Geraldine played hard to get (uh huh),
(Geraldo, if you'll recall, is a goat.) No matter. Both kinds of fans will enjoy revisiting these Saturday-morning shorts--and hopefully this video will find its way into classrooms, to boot. Clever teachers who grew up on this stuff will know how to make Schoolhouse Rock fans (ideally of type A) out of the next generation, too. --Erik Macki
Geraldo knew he'd woo her yet.
He showed his affection,
Despite her objection,
And Geraldine hollered some interjections! -
Walt Disney Home Video
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Walt Disney Home Video
One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh -
Walt Disney Home Video
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Paramount
"Worn to perfection" is the tag line promoting this crafted character study. It describes Paul Newman, the resourceful 70-year-old lead actor, but not his character, Sully, a North Bath, New York, loner who totally emulates the negative definition of the title. Newman gives a brilliant performance (Oscar-nominated and winner of two critics circle awards) relying on his well-honed subtleties. The dramatics are simple: the return of his son (Dylan Walsh) and grandson, offering a chance to reconcile; odd jobs for a construction company he's trying to sue for an injury; and a comedic grudge match against the owner (a reserved Bruce Willis). North Bath is the kind of place, wrapped in winter (beautifully shot by John Bailey), where enemies are friends, marriages are shaky, and Hawaii is only a state of mind. This "town drama" of a blue-collar America offers the patient filmgoer a rich and rewarding experience. Another small gem from writer-director Robert Benton (Places in the Heart). --Doug Thomas -
Walt Disney Video
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Walt Disney Home Video
Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). --Tom Keogh -
Walt Disney Video
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Walt Disney Video
Once upon a time kids learned many of their school lessons in the three-minute episodes of Schoolhouse Rock. These educational cartoons came on during the commercial breaks of the less-than-edifying Saturday morning fare in the 1970s, and despite their healthy content, kids stayed glued to the screen to sing along to the somewhat psychedelic cartoons. Countless children hummed their way through social studies. The Preamble to the Constitution is much easier to remember when it's set to music. And everyone who saw the cartoon remembers how a bill becomes a law ("Oh, I'm just a bill, a lonely old bill, sitting here on Capitol Hill"). These and eight other shorts make up America Rock, a 30-minute program that will stir patriotism and teach kids a bit of history. Whether you're an adult who remembers fondly his Schoolhouse Rock days or a parent trying to help a child with school, this selection will have you singing that "knowledge is power." A bonus cartoon of "My Hero Zero," performed by the Lemonheads, is included at the end. --Jenny Brown -
Karl Video
Jane Fonda's Workout Video copyrighted 1982. This video is hard to find and has been out of print for a while. This VHS features a complete two part course: Beginner--30 minutes and Advanced--60 minutes. The back of the video has all the information you will need to get started. Also, you will find 9 tips you should follow to get the results you want. And at the last of the notes you are advised to eat nutritious and all natural foods. This is her original tape. It's an exercise program based on her best-selling book. A 30-minute beginner's program and a 60-minute advanced session is included. -
Walt Disney Home Video
Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke -
Ventura Distribution
Billed as the "future of fitness" and hawked by numerous celebrities, Billy Blanks's Tae-Bo actually deserves much of the hype it's receiving. A mixture of boxing punches and martial arts kicks, Tae-Bo is fun and easy. One of the best elements of this four-tape set is that the first tape (which is 40 minutes long), Tae-Bo: Instructional, lays out the movements you need to successfully complete a workout. Once you've mastered the steps, you won't have to fast-forward through half the tape to get to the workout, nor will your workout be slowed down by the repeated lessons. After you feel comfortable with the movements (and they're really quite easy to follow; nothing too complicated to trip you up), you're ready to move on to Tae-Bo: Basics, a 27-minute workout (5 minutes of warm-up, 18 minutes of Tae-Bo, and 4 minutes of cool-down) that will have your heart pounding and your body sweating. Next comes Advanced, a 57-minute workout that will have your heart racing, pulse pounding, and sweat glands working overtime. There's razzmatazz on the moves, with slightly more complicated combinations that should be fairly easy to master if you've completed the first two tapes. This video seriously raises the bar on the difficulty factor.In addition to the short warm-up, the cool-down, and the 30 minutes of Tae-Bo, Advanced Tae-Bo also includes 18 minutes of muscle-crunching floor work. You know you're in trouble when even the guys in the tape have trouble keeping up. Make sure you have truly mastered the first two tapes before attempting this one. The 8-Minute Workout is a highly compacted workout (actually 14 minutes long when you include warm-up and cool-down) for those days when you're too short on time for Basic or Advanced. While the 8-minute idea is compelling, it's not an adequate substitute for the longer workouts. Blanks, a seven-time World Martial Arts champion, is a superb instructor, providing encouragement and careful instruction (if you don't know by the end of the tape to hold in your stomach, that's no one's fault but your own). The only downside to these tapes is the less-than-exciting music. Not only is Tae-Bo great exercise for all levels, but the punches and kicks are wonderful for working out stress and aggression. This is the aerobics exercise video for people who are bored by aerobics. --Jenny Brown
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Starmaker Entertainment
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Warnervision/Maier Group
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Universal Studios
Paul Newman, an American original, would seem to be the perfect choice to direct a film adaptation of the second novel by another American original--Ken Kesey. But Kesey's novel, written under the influence of both LSD and growing fame, was a mishmash, and Newman's film can't rescue it. It also seems strange to see the ultraliberal Newman starring as a strike-busting logger who honors a contract on principle, rather than observe union concerns, bringing all sorts of misery down on his family. Henry Fonda is interesting as Newman's father, but the film never finds its footing. One killer sequence, however: Richard Jaeckel, as Newman's brother, trapped under a log in a river, slowly drowning despite Newman's best efforts to save him. --Marshall Fine -
Walt Disney Home Video
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain," "The Sorcerer's Apprentice," and "The Nutcracker Suite." The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman -
Ventura Distribution
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Warner Home Video
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Walt Disney Home Video
From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton -
Walt Disney Home Video
Disney's adaptation of the beloved fairy tale became a classic in its own right, thanks to some memorable tunes (including "A Dream Is a Wish Your Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief. We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pure animation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. --David Kronke





















