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DVD Warehouse : DVD : Specialty Stores : Actors & Actresses : ( R ) : Redmond, Marge
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Sony Pictures
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Sony Pictures
Woody Allen was going through his off-screen scandal with Mia Farrow when Manhattan Murder Mystery was produced, so Diane Keaton was brought in to fill the role intended for Farrow. The reunion of Keaton and Allen only improves this already enjoyable Allen comedy, since they're so comfortable with each other's neuroses that they're delightfully convincing as a married couple who suspect their neighbor of murdering his wife. Actually, it's Keaton who obsesses about the possible foul play; Woody just wants them to mind their own business. But pretty soon they've recruited their friends (Alan Alda, Anjelica Huston) as amateur sleuths, and the movie turns into a Nancy Drew mystery for sophisticated Manhattanites. With a typical abundance of Woody Allen witticism and some memorable comic suspense, this engaging throwback to vintage Hollywood mysteries is guaranteed to please even the most noncommittal Woody Allen fans, and the Allen-Keaton chemistry is, as always, a genuine pleasure. --Jeff Shannon
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Kultur Video
"Attention must be paid" to this abbreviated but superb 1966 television adaptation by Arthur Miller of his Pulitzer Prize-winning modern tragedy, starring the incomparable Lee J. Cobb and Mildred Dunnock recreating their original Broadway roles as the Lomans. In a career-defining performance, Cobb portrays the suffering Willy Loman--the middle-aged man at the end of his emotional rope--with Dunnock equally impressive as his patient wife, Linda. George Segal and James Farentino play their disillusioned sons, Biff and Happy. Shattering and unforgettable, this landmark television production has been digitally remastered and will endure for all generations to come. "In a word, superb." --New York Times. With Gene Wilder as Bernard.
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MGM (Video & DVD)
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Universal Studios
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20th Century Fox
In this suspense-driven romantic thriller, silence turns to chaos and fear as Academy AwardÂ(r) winner (Best Actress, 1987) Marlee Matlin is stalked by a killer who knows she cannot hear. Jillian (Matlin), an athletic trainer who is hearing-impaired, is unaware that a client (John McGinley) has hidden a stolen rare coin in her pager. When his car is blown up, Jillian starts to receive terrifying threats and enlists the client's friend (D.B. Sweeney) to help track the killer. Martin Sheen co-stars.
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Vci Video
Academy Award winner Cloris Leachman portrays a middle-aged woman who discovers she is pregnant for the first time. Serious doubts arise for both she and her husband when they begin to realize how much their lives will change. The question then arises, should they have the child, or not? Specs: DVD5; 74 minutes; Color; 1.33:1 Aspect Ratio; Year - 1973; SRP - $5.99.
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![Death of a Salesman [Region 2]](http://ecx.images-amazon.com/images/I/51ZLTDzswUL._SL160_.jpg)
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![The Fortune Cookie [Region 2]](http://ecx.images-amazon.com/images/I/51RZ0A4YM3L._SL160_.jpg)
Billy Wilder's insurance-scam comedy, written with partner I.A.L. Diamond, is one of the legendary filmmaker's surlier efforts. Were it not for the star-making performance of Walter Matthau (which won him an Academy Award for Best Supporting Actor), it might not have registered so strongly with audiences. Shot in a grimy black and white, the story begins as CBS cameraman Harry Hinkle (Jack Lemmon) is injured on the sidelines of a football game when Cleveland Browns star Boom Boom Jackson (Ron Rich) accidentally barrels into him. Hinkle's all right, but his ambulance-chasing brother-in-law William Gingrich (Matthau), also known as "Whiplash Willie," has a lawsuit filed before Hinkle even wakes up at the hospital. Hinkle is reluctant to join in on the scheme, which involves staying in a wheelchair, until he realizes it may bring his ex-wife (Judi West) back, even though her eyes practically flash dollar signs at the thought of his case's settlement potential. Working on Hinkle's conscience, however, is a burgeoning friendship with Jackson, who feels horrible about the incident. Not as sure-footed or as brazenly funny as many other Wilder efforts, the film nevertheless boasts a comic turn by Matthau that is deliciously conniving and endlessly inventive. Wilder, Hollywood's most caustically funny blend of pessimist and optimist, doesn't even aim for balance here. He clearly loves Matthau's character above all others and lets him run the show. The Lemmon and Matthau franchise began here and would go on to include their reteaming for Wilder's films The Front Page and Buddy Buddy. --Robert Abele
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![The Fortune Cookie [Region 2]](/media/img/no-image.jpg)
Billy Wilder's insurance-scam comedy, written with partner I.A.L. Diamond, is one of the legendary filmmaker's surlier efforts. Were it not for the star-making performance of Walter Matthau (which won him an Academy Award for Best Supporting Actor), it might not have registered so strongly with audiences. Shot in a grimy black and white, the story begins as CBS cameraman Harry Hinkle (Jack Lemmon) is injured on the sidelines of a football game when Cleveland Browns star Boom Boom Jackson (Ron Rich) accidentally barrels into him. Hinkle's all right, but his ambulance-chasing brother-in-law William Gingrich (Matthau), also known as "Whiplash Willie," has a lawsuit filed before Hinkle even wakes up at the hospital. Hinkle is reluctant to join in on the scheme, which involves staying in a wheelchair, until he realizes it may bring his ex-wife (Judi West) back, even though her eyes practically flash dollar signs at the thought of his case's settlement potential. Working on Hinkle's conscience, however, is a burgeoning friendship with Jackson, who feels horrible about the incident. Not as sure-footed or as brazenly funny as many other Wilder efforts, the film nevertheless boasts a comic turn by Matthau that is deliciously conniving and endlessly inventive. Wilder, Hollywood's most caustically funny blend of pessimist and optimist, doesn't even aim for balance here. He clearly loves Matthau's character above all others and lets him run the show. The Lemmon and Matthau franchise began here and would go on to include their reteaming for Wilder's films The Front Page and Buddy Buddy. --Robert Abele
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