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The Legend of Sleepy Hollow

Starmaker Entertainment
The Original Buns of Steel

Warnervision/Maier Group
Jane Fonda's Step Aerobic and Abdominal Workout

Warnervision

This multilevel class is safe for and accessible to beginners, and just right for intermediates. Three of Fonda's able and motivating instructors teach the 45-minute step class. Half the room does lower-intensity moves; the other uses higher steps and higher-intensity techniques. The teaching technique is excellent: a pattern is taught on the floor before taking it up on the step. One participant does the routines totally without the step to guide beginners or others who don't feel comfortable using the step. The patterns never get very complex, but they are varied enough to keep you interested and energized, and you can adjust your step height to make the workout harder if you wish. The instructors cue seamlessly. Fonda herself teaches the 10-minute abdominal segment, with enough variations of the standard crunch to keep your abs contracting and your mind engaged. --Joan Price
Richard Simmons Sweatin' to the Oldies

Warner Home Video

Richard Simmons is the king of motivational exercise, especially if you're a beginner. This video workout is a dance party simulating a class reunion, with an energizing live band playing lively hits from the '50s and '60s, such as "It's My Party and I'll Cry If I Want To," "Great Balls of Fire," and "Dancing in the Streets." The singers and musicians sometimes come offstage and dance with the exercisers, adding to the energy and festivity. The choreography is very simple, low impact, light intensity, and appropriate for beginners and overweight exercisers. (You may not get your heart rate up if you're very fit, although you'll enjoy the music.) Richard doesn't do much in the way of cueing--he assumes you'll just follow along. His onscreen class has women and men of all body shapes and sizes, and everyone is having a blast. You will, too. At the end, the exercisers dance down the floor and the screen flashes how many pounds they've lost--several have lost more than 100 pounds. (22 minutes of aerobics, total 43 minutes with warm-up, cool down, and stretch.) --Joan Price
Sometimes a Great Notion

Universal Studios

Paul Newman, an American original, would seem to be the perfect choice to direct a film adaptation of the second novel by another American original--Ken Kesey. But Kesey's novel, written under the influence of both LSD and growing fame, was a mishmash, and Newman's film can't rescue it. It also seems strange to see the ultraliberal Newman starring as a strike-busting logger who honors a contract on principle, rather than observe union concerns, bringing all sorts of misery down on his family. Henry Fonda is interesting as Newman's father, but the film never finds its footing. One killer sequence, however: Richard Jaeckel, as Newman's brother, trapped under a log in a river, slowly drowning despite Newman's best efforts to save him. --Marshall Fine
12 Angry Men

MGM (Video & DVD)
The Wizard of Oz

Metro-Goldwyn-Mayer (MGM)

When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon
DVD features
The Wizard of Oz DVD released in 1999 was loaded with extra features, but it's now safe to throw away that version in all its cardboard-package glory in favor of this new two-disc edition. First things first: All the bonus material from the earlier disc is there (with one small exception). That includes the Angela Lansbury-hosted documentary The Making of a Movie Classic; the outtakes and deleted scenes, including Judy Garland's "Over the Rainbow" reprise and the home-movie recording of "The Jitterbug"; the sketches and stills and composer Harold Arlen's home movies; the audio underscores and radio programs; the 1979 interviews with Margaret Hamilton, Ray Bolger, and Jack Haley; and other items too numerous to mention. (Some text introductions to the features have been replaced by narration by Lansbury, for whatever reason.) Brand-new to the 2005 edition is a sharp restoration using Warner's Ultra Resolution process and an accompanying featurette on how it's done. The technicians also discuss how the sound was remixed, though that would have been more effective had it included surround-sound demonstrations (the featurette is in 2.0). Other features on the new set include a commentary track by critic John Fricke supplemented by vintage cast interviews (he offers a lot of trivia, and debunks the myth that Shirley Temple was ever close to getting the Dorothy role); profiles of nine cast members and clips of other movies they appeared in (including Toto); a lightly animated 10-minute storybook again narrated by Lansbury; 2001 and 2005 behind-the-scenes featurettes; and a 1950 Lux Radio Theater broadcast. Oh, and if you were still wondering about the missing material mentioned above--the 1999 disc included one-minute excerpts of three early treatments of The Wizard of Oz. Those excerpts are not included in the two-disc special edition, but the third disc of the three-disc collector's edition includes the complete versions of those treatments and more. --David Horiuchi
Moonwalker

Sony
Shadowlands (1993)

Hbo Home Video

This emotionally moving romantic drama was adapted by William Nicholson from his own acclaimed play, based upon the real-life romance (during the 1950s) between the British writer C.S. Lewis and a divorced American poet named Joy Gresham. Best known for writing The Lion, The Witch, and The Wardrobe, Lewis (Anthony Hopkins) is living comfortably as a respected Oxford don, his academic lifestyle a kind of shell protecting him from the emotional risk of love. Joy Gresham (Debra Winger) arrives at Oxford as an avid admirer of Lewis's writing, and the safety of his collegiate routine is quickly disrupted when Lewis realizes that he's fallen deeply and unexpectedly in love. Their courtship is uniquely engaging; he's shy and uncertain, she's outspoken and bold. But when Joy is diagnosed with cancer, Lewis's Christian faith is put to the test--he cannot fathom why their happiness together would be so drastically challenged. Together, they find a way to accept and honor the time they have shared together, and under the sensitive direction of Richard Attenborough, Shadowlands arrives at a conclusion that is both heartbreaking and uplifting at the same time. Hopkins and Winger are equally superb in this absorbing story of personal and spiritual transformation--a story previously filmed for British television in 1985, with Joss Ackland and Claire Bloom. --Jeff Shannon
Verdict (1982)

20th Century Fox

In this 1982 courtroom drama written by David Mamet and directed by Sidney Lumet, Paul Newman found the perfect role for a transitional period of his stellar career. As alcoholic Boston lawyer Frank Galvin, Newman shook off his screen persona as a handsome, blue-eyed hunk to portray an aging, weary man whose best years are behind him, with a shot-glass future that looks very bleak indeed. But when Galvin is given a chance to redeem himself--by proving medical negligence in the case of a comatose woman--he makes one final effort to regain his self-respect and tarnished reputation. He's an underdog against formidable odds, facing a powerful, politically connected lawyer (James Mason, slick as ever) who will do anything to win his case, regardless of professional ethics. Further complicating matters is a woman (Charlotte Rampling) who only appears to be worthy of Galvin's trust and love, until Galvin's best friend and colleague (Jack Warden) proves otherwise. Excellent as both courtroom drama and riveting character study, the film crackles with Mamet's sharp dialogue; and Lumet's direction is a brilliant example of forceful restraint. The film gave Newman one of the best roles of his career; many felt he deserved the Oscar (he lost to Ben Kingsley in Gandhi) that would belatedly be given to Newman for The Color of Money. Along with Hud, Cool Hand Luke, and Butch Cassidy and the Sundance Kid, The Verdict ranks highly as a signature performance by one of America's all-time greatest actors. --Jeff Shannon
Last of the Dogmen

Hbo Home Video

Despite an irritating, tacked-on voice-over narration that somebody must have thought was necessary to make sense of the story (it wasn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery, and loss. --Tom Keogh
Stone Fox

Republic Pictures
Mr & Mrs Bridge

Hbo Home Video

Masters in depicting the superficial machinations of England's repressed upper classes, director James Ivory and his partners, screenwriter Ruth Prawer Jhabvala and producer Ismail Merchant, take on the American middle class in Mr. and Mrs. Bridge. Paul Newman and wife Joanne Woodward play the eponymous main characters: a patriarch and wife of a well-to-do family, whose members are struggling to define themselves under their father's undefiable command and the changing times.
With one daughter who wants to become an actress in New York, another who chooses the "wrong" kind of man to marry, and a son who quits school to join the Air Force during World War II, Mr. Bridge finds that his control over his family is slipping. Spanning the 1930s and '40s, the film presents nuances in how both the dramatic and the smaller moments are woven together. Weddings and arguments are no more important to capturing the essence of the Bridge family then are their moments of daily reverie.
A quiet film that succeeds in establishing its characters' intimacy, with themselves and each other, Mr. and Mrs. Bridge owes much of that success to Woodward. While Newman doesn't always seem comfortable as the stern ruler of the Bridge household, Woodward steals the film as the long-suffering woman whose identity is precariously built on her ascribed roles as mother and wife, taken for granted and often overlooked by the family she truly loves. --Natasha Senjanovic
CherFitness: New Attitude

FoxVideo Inc.
Pure Luck

Universal Studios

This weak, 1991 remake of the French comedy La Chèvre stars Danny Glover as a detective who is sent to Mexico to find a businessman's daughter (Sheila Kelley) and who gets stuck with a hapless assistant (Martin Short). The film wears out its welcome very quickly, despite some passable physical comedy from Short. Both actors have made much better movies; don't be surprised if you can't make it through to the end of this one. --Tom Keogh
8 Minute Abs

United American Video
Jim Henson Video: The Tale of the Bunny Picnic

Walt Disney Video

Jim Henson's last directorial production aimed squarely at children is this delightful 50-minute show about a bunny who cried "dog." Little Bean Bunny always wants to make an impression on his family and his jovial bunny community. When he encounters a daffy dog bent on chasing rabbits (voiced by Henson), his stories only bemuse everyone; they'd rather prepare for the upcoming spring festival. Escaping into a rich fantasy life, Bean soon overcomes his fears and then finds practical ways to be a hero for a day. Jam-packed with music, The Tale of Bunny Picnic illustrates the enormity of Henson's vision in presenting multiple Muppet-like characters on screen at one time; there's a real sense of community. A cousin to his Fraggle Rock programs, this show will appeal to all folks age 3 and up. --Doug Thomas
Goosebumps -The Haunted Mask

20th Century Fox

Carly Beth is quiet and shy -- easily scared and overly trusting. She's never seen such a great Halloween mask -- really scary, really creepy, and really life-like. She has to have it -- to scare those boys who tease and humiliate her all the time! And when she does get it, the mask is every bit as weirdly spooky as she had hoped it would be. But wearing the mask seems to be causing strange things to happen to her and other people. Can the mask -- the symbol of her revenge -- be the cause of it all? What strange powers could a Halloween mask have? Unwilling to give up the mask, or to believe that it could be evil, she keeps on wearing it -- only to discover one day that she can't take the mask off. Carly Beth and the mask have become one.
Howard the Duck

Universal Pictures

If you concentrate on the fact that Howard the Duck was a notorious box office dud (still brought up today) and considered one of the worst films of the '80s, it's entirely possible to enjoy this special effects piffle. Howard, played by a special effect puppet, lives on a planet where ducks evolved instead of apes, but one day he's sucked into a vortex and deposited on Earth. There he befriends Beverly Switzler (Lea Thompson), lead singer for the Cherry Bombs, becomes their manager, and, oh yeah, saves the Earth from the Dark Overlords. Jeffrey Jones is the villain and Tim Robbins (!) is there for comic relief. And who can resist the culmination of synthesizer pop, the Howard the Duck theme song, as realized by the Cherry Bombs? A midnight movie that your kids might watch more than you. --Keith Simanton
The Education of Little Tree

Paramount

In 1935, an 8-year-old orphaned boy is sent to live in the Tennessee mountains with his grandparents. He doesn't yet know that he is half Cherokee, on his grandmother's side. As he learns about life and the Cherokee "way" from his grandparents, Little Tree's sensitivity to nature and to others grows.
At first it might seem easy to dismiss this movie as hokey, especially when Little Tree's Scottish grandfather teaches him to make whiskey and he befriends a dog. But the film gains emotional power when Little Tree becomes close to an older Cherokee who tells him about the Trail of Tears. When the government places Little Tree in an Indian school, where he is abused physically and psychologically, the tough issue of the forced assimilation of Native Americans isn't glossed over. Excellent performances and a gripping story make this well worth watching with children ages 8 and up.
An interesting side note: Forrest Carter, who wrote the book the movie is based on, was a one-time KKK member and speechwriter for George Wallace. It's hard to imagine how a former white supremacist could write such a moving tale about racism. Despite the controversy surrounding Carter, this sensitive film deserves to be taken on its own terms. --Elisabeth Keating