DVD Warehouse : VHS : Genres : Music Video & Concerts : Artists : Lou Reed

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DVD Warehouse : VHS : Genres : Music Video & Concerts : Artists : Lou Reed

• Secret Policeman's Third Ball

  Rhino / Wea

  
  
   

• Songs for Drella

  Warner Bros / Wea

  
  
   

• Classic Albums - Lou Reed: Transformer

  Eagle Rock Ent

  
  This installment of the Classic Albums series looks at the making of Lou Reed's seminal glam-rock solo album, Transformer, featuring a relaxed Reed (though decidedly less glam than he was in '72) looking like he's having the time of his life as he reminisces and isolates separate tracks to illustrate how the album came together. Bassist Herbie Flowers demonstrates how he recorded the swingy, impossibly catchy bass riff in "Walk on the Wild Side," and coproducer David Bowie makes a brief appearance, as do many of Reed's contemporaries and fellow musicians. Many express delight that the tracks sound as fresh as they did when they were recorded, especially "Vicious" and "Perfect Day." DVD bonus interviews include a fascinating tale from Reed on how he first met Andy Warhol--while he and the Velvet Underground were playing in a seedy Village café, being attacked by drunken sailors offended by one of their songs. --Anne Hurley
  
   

• A Night With Lou Reed

  Lightyear Video

  
  This 1983 concert film was shot during Lou Reed's legendary stand at the Bottom Line in New York City. Reed got his start in Greenwich Village, and indeed this show has a strong air of a hero's return. The former Velvet Underground frontman greets the crowd with a tidy-but-tough "Sweet Jane," then smoothly skips through his then-catalogue of pre- and post-solo career records. "I'm Waiting for the Man" takes us back to the well, while "Wild Side," "Don't Talk to Me About Work," "Waves of Fear," and a stunning version of "Kill Your Sons" reflects something of the scope of Reed's development. A blistering "White Light/White Heat" reminds one of the Velvets' magnificent sting, and the show closes out with an epic take on "Rock 'n' Roll." Reed is backed by a spare ensemble, including the outstanding Robert Quine on guitar, Fred Maher on drums, and Fernando Saunders on bass. Clearly and cleanly photographed, this performance is riveting to see and hear. Keep watching after Reed leaves the stage; his post-show comments about some special moments in front of the audience are well worth catching. --Tom Keogh
  
   

• Coney Island Baby - Live in New Jersey

  Vestron Video

  
  
   

• A Night With Lou Reed

  Chromatic Records

  
  This 1983 concert film was shot during Lou Reed's legendary stand at the Bottom Line in New York City. Reed got his start in Greenwich Village, and indeed this show has a strong air of a hero's return. The former Velvet Underground frontman greets the crowd with a tidy-but-tough "Sweet Jane," then smoothly skips through his then-catalogue of pre- and post-solo career records. "I'm Waiting for the Man" takes us back to the well, while "Wild Side," "Don't Talk to Me About Work," "Waves of Fear," and a stunning version of "Kill Your Sons" reflects something of the scope of Reed's development. A blistering "White Light/White Heat" reminds one of the Velvets' magnificent sting, and the show closes out with an epic take on "Rock 'n' Roll." Reed is backed by a spare ensemble, including the outstanding Robert Quine on guitar, Fred Maher on drums, and Fernando Saunders on bass. Clearly and cleanly photographed, this performance is riveting to see and hear. Keep watching after Reed leaves the stage; his post-show comments about some special moments in front of the audience are well worth catching. --Tom Keogh
  
   

• Magic and Loss: Live in Concert

  Warner Bros / Wea

  
  
   

• New York Album

  Warner Bros / Wea